Adam Sol on Jennifer L. Knox’s Leaps and Turns

9 08 2017

sol

Poet Adam Sol has a cool blog called “How a Poem Moves.” You should check it out.

It’s been around a while–since May, 2016. The site’s first post let’s you know what Sol’s up to: “to write short (~1000 word) essays that introduce a single poem and explain some of what I think makes the poem interesting.”

I came across it at just the right time: when Sol introduced and examined Jennifer L. Knox’s poem, “The New Let’s Make a Deal.” This poem has some wild turns and leaps in it, and Sol makes specific note of them (“[t]he poem makes a big turn at the end of line 13 – from ‘totes bonkers’ to news of a hurricane…”), registering the vital ways that they help to make the poem really move.

In his site’s first post, Sol states, “Part of my motivation is an extension of my teaching: so many people are afraid of contemporary poetry, and I hope these short introductions might help ease that discomfort.” Thus, in his writing on Knox it seems Sol is in agreement with this blog, which has made the case that familiarity with turns can be a key aspect of helping readers productively engage seemingly more difficult poetry.

One of the great texts on the poetic turn is John Ciardi’s How Does a Poem Mean? Sol’s “How a Poem Moves” takes up this interest in the turn in its explication of Knox’s poem. I eagerly look forward to reading more of Sol’s blog to see if the turn is a consistent presence in the site’s analyses. I see there are a number of fourteen-lined poems–sonnets, perhaps? with voltas?–that are discussed so the prospect looks good!

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